89 Rules for Writing Satire (According to the Ancient Order of the Perpetually Amused)
(Filed under “Professional Mischief, Ethical Nonsense, and Advanced Irony.”)
I. The Basics of Satirical Survival
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Always punch up — unless the target truly deserves it, then punch sideways, down, and diagonally.
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Truth is the skeleton; exaggeration is the flesh. Don’t confuse it with blubber.
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Satire isn’t lying — it’s truth wearing a clown nose.
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If your joke offends everyone equally, congratulations — you’ve found balance.
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Every satire should make one person laugh, another cry, and a third write a furious letter to the editor.
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Never begin with “I’m not trying to be offensive, but…” because you definitely are.
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Don’t write satire when you’re angry. Write satire when you’re caffeinated and slightly bitter.
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The first draft should sound like a bar rant. The second should sound like a sermon. The third should sound like news.
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If your satire could be mistaken for a real press release, frame it — you’ve achieved peak irony.
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Never explain your joke. That’s how humor dies — slowly, in a PowerPoint presentation.
II. On Targets and Topics
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Satirize power, not pain.
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Avoid punching at ordinary folks unless they’re influencers.
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Politicians are like fruit — they rot fast, so use them while ripe.
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Religion is comedy’s third rail: touch it only with insulated gloves and holy water.
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Never mock tragedy — mock the people who profit from it.
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Satire about social media should itself read like a desperate Instagram caption.
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Don’t satirize something no one cares about. (Looking at you, municipal zoning boards.)
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Every story has a clown — if you can’t find it, it might be you.
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Your subject should be serious enough to deserve ridicule, but ridiculous enough to deserve seriousness.
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Don’t satirize your friends unless they can handle it. If not, satirize their exes.
III. Craft and Structure
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A good satire reads like news until it suddenly doesn’t.
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Headlines should sound plausible enough to scare someone’s uncle.
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The first line should whisper: “This might be real.” The last line should shout: “Of course it wasn’t, you fool!”
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Build tension like a journalist, then explode it like a stand-up comic.
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Use fake quotes liberally — but attribute them hilariously (“said an economist who wished to remain delusional”).
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Insert a fake statistic at least once. (Example: “87% of Americans now identify as ‘tired.’”)
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Satirical “facts” must be believable until they aren’t.
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Write in short sentences. Irony prefers staccato over symphony.
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Humor isn’t the seasoning — it’s the broth. Don’t drown it in moral sauce.
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Structure your satire like an essay written by a drunk philosopher.
IV. Tone, Voice, and Style
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The best tone for satire is confident confusion.
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Always sound like you know something you clearly don’t.
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Irony should drip from every sentence — like honey or venom.
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Don’t use emojis unless they add menace.
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Avoid neutrality. Satire is Switzerland’s opposite.
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Write like you’re explaining the apocalypse to a toddler.
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Channel the outrage of a barista who ran out of oat milk.
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Be poetic when angry and factual when absurd.
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Use grandiose metaphors that collapse under their own weight.
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Write like history’s stenographer got bored.
V. Evidence and “Facts”
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Always cite a fake study from a real-sounding university. (“A Harvard study published in Whatever Quarterly found…”)
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Add eyewitnesses with oddly specific memories.
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Include at least one confused local quoted by name and hometown.
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“According to leaked memos” makes everything sound legitimate.
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Create polls with impossible numbers: “101% of respondents agreed.”
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Always blame “anonymous insiders” — they’re satire’s unpaid interns.
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“Experts warn” means “we made it up.”
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Give your satire footnotes no one will check.
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If you use data, make sure it contradicts itself.
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End every report with “Further research is discouraged.”
VI. Humor Techniques
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Wordplay: it’s how satire says “I’m smarter than you, but let’s pretend I’m not.”
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Hyperbole is your best friend. Irony is your roommate who eats your food.
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Sarcasm is seasoning. Use enough to burn the tongue.
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Puns should be used sparingly — unless you’re British, then go wild.
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Juxtapose the noble with the stupid. (“Einstein once theorized… about TikTok filters.”)
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Parody is flattery in disguise, wearing fake mustaches.
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Absurdity should feel inevitable.
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Repetition turns comedy into religion.
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The longer a sentence, the funnier the anticlimax.
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Always end a section on something ridiculous yet profound.
VII. Ethical Mischief
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Don’t satirize victims; satirize the people who made them.
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If you mock the weak, make sure you are one of them.
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Comedy without empathy is cruelty; satire without cruelty is PR.
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Be mean with a purpose, not just because it’s Tuesday.
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Never call your satire “satire” — let readers discover it like bad sushi.
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Apologize only if it helps the joke.
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If the powerful hate it, you’re doing great.
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If everyone agrees with you, you wrote an essay, not satire.
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If you get sued, you’re officially a professional.
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Don’t correct people who think it’s real — that’s free advertising.
VIII. Voice of the Writer
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Sound smarter than you are.
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Pretend your sarcasm is research.
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Include at least one moment of sincerity — then ruin it immediately.
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Be brave enough to joke about the obvious.
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Develop a rhythm: setup, escalation, collapse, recovery.
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Satirists are truth-tellers dressed as idiots — so play the part.
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Laugh at your own jokes; otherwise, who will?
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Never trust a humorist who’s too polished.
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Remember: humor is rebellion disguised as charm.
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Every satirist is a failed philosopher — embrace it.
IX. The Performance of Truth
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Make readers question everything — especially you.
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Turn logic inside out until it’s fashionable again.
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Write headlines that cause panic, then laughter, then shame.
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Create characters who sound real enough to sue you.
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Treat absurdity like evidence.
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When in doubt, blame the algorithm.
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Never underestimate the comedy of bureaucracy.
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Assume your reader is smart — but not that smart.
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And finally: write satire as if civilization depends on laughter — because it does.
Disclaimer:
This piece was co-authored by the world’s oldest tenured professor of irony and a philosophy major turned dairy farmer who learned enlightenment from watching goats ignore fences. All events, statistics, and “expert opinions” are 97% emotionally accurate.