Vaxed, Waxed, and Spiritually Taxed: When Dating Becomes a Branding Exercise


Welcome to Dating, Incorporated™

Modern dating isn’t about love. It’s about positioning. You are no longer a person. You are a lifestyle brand seeking a co-founder. You don’t just date—you launch. Your profile isn’t a reflection of your humanity. It’s a mission statement with vibes.

In 2025, romance has fully merged with marketing. You’re not asking someone to dinner. You’re inviting them into your content strategy. And unless your trauma is aesthetic, your inner child is monetized, and your spirituality comes with a matching logo, you’re basically invisible.

Welcome to dating as a startup pitch, sponsored by burnout and curated with Canva.


The Bio Is the Brand

Remember when people said things like, “I love dogs and coffee”? Adorable. Naive. Cancelled.

Today’s dating bios are brand decks. They begin with a mission, clarify their target audience, and outline a values proposition so exhausting it could be a diversity report.

Examples:

  • “I’m a neurodivergent heart-led creative with a passion for rewilding, relational ethics, and small-batch emotional labor.”

  • “Intimacy activist seeking synergy in sacred spaces only. Must align with my nervous system and my brand values.”

If you don’t lead with identity, language, archetypes, and a vague relationship to astrology? You’re not serious.

One man listed his relationship goal as: “To create a regenerative love container that deconstructs late-stage capitalism and honors the masculine wound.” His photo? Him, barefoot in a canyon, holding a copy of No More Mr. Nice Guy and a quart of activated cashew milk.


Your Trauma Is Your Tagline

Emotional wounds are no longer private. They’re intellectual property. You must disclose them in your About section. In detail. But make it fashion.

“Recently exited a codependent spiral and re-parenting my inner teenager. Currently integrating grief through movement and deep giggles.”

That’s a real bio. Another described herself as “a walking contradiction of softness and fight-or-flight.” She got 214 likes.

This isn’t disclosure. This is curation. You’re not just revealing who you are. You’re auditioning to be someone else’s idealized pain match.

Your wounds can’t just be messy—they must be branded. They must be legible. They must be symmetrical with someone else’s therapy notes.


Everyone’s Selling Something (Even If It’s Just Themselves)

Even the allegedly normal people are doing it. “Just a dad who loves camping and emotional honesty” sounds authentic, until you notice he’s posing in front of a mountain, wearing a hat that says “Feelings are Dope,” and his entire grid is soft-lit self-portraits and Jordan Peterson memes.

He’s not looking for a partner. He’s targeting a niche.

This is what dating has become: a war of micro-influencers, all performing intimacy like it’s a product unboxing.

She posts about “boundaries as activism.” He posts about “masculine containment.” They don’t talk to each other. They just tag each other in self-promotion stories and occasionally hug under soft string lights at someone’s rooftop grief salon.


There Are No Conversations—Only Brand Collabs

In this new landscape, people don’t meet. They align.

You don’t ask “Do you like sushi?” You ask, “What’s your relationship to nourishment?”

You don’t say, “I love music.” You say, “My nervous system stabilizes through vibrational storytelling.”

You’re not flirting—you’re workshopping a collaborative ethos.

When two dating app matches meet, they don’t go on a date. They have a “brand summit.” They compare charts, podcast libraries, and their shared vision for eco-literate domesticity.

If the energies align? A soft launch begins.


The Soft Launch is Hard Work

Once your identities are mutually marketable, it’s time for the soft launch: subtle mentions, shared Story reacts, mutual follows of thought-leaders in “conscious relating.” There will be a photo of your legs beside theirs—captioned with a Rumi quote or something about dopamine regulation.

Real feelings must be obscured. Only content is sacred. You cannot just post a photo and say “I like this person.” You must say, “Deeply grateful for this sovereign mirror who reflects back the parts of me I forgot how to love.”

If you use the word “boyfriend,” your following will plummet.


Everyone’s Exhausted and Beautiful

Make no mistake—this lifestyle is exhausting.

People are burning out on performance but feel trapped by the demand to stay relevant. One woman confessed she wanted a simple relationship, “but I’ve built this brand around spiritual sex and intuitive boundaries. I can’t just date a guy named Kyle who works in IT.”

She’s not alone. Hundreds of people are stuck in dating identities they crafted during quarantine and now maintain out of sheer brand obligation.

A man known for “holding space for messy goddesses” admitted he hasn’t had a real conversation with a woman in months. “I don’t know who I am without the language,” he said. “If I stop posting about polarity, I’ll have to admit I’m lonely.”


All Content, No Contact

In this economy of dating brands, actual human connection feels dangerous. It’s not that people don’t want to be loved—they just don’t know how to do it without selling something.

And love, as it turns out, doesn’t look good on social media. It’s sloppy. It’s confusing. It doesn’t photograph well.

So we stick to the content. We curate connection. We monetize eye contact.

But we don’t hold hands without discussing how that hand fits our nervous system strategy.


The Breakup Post Has Been Scheduled

When things inevitably fall apart—because no one can sustain a lifestyle of mutual performance without sleeping—it ends not in silence, but in a well-branded “conscious uncoupling.”

A well-crafted breakup post includes:

  • A carousel of sunset photos

  • A mutual announcement of gratitude

  • At least one line about “closing the container with love”

You’ll get hundreds of likes. People will DM you about how inspiring it is. No one will ask how you’re actually doing.


What Happened to Just… Liking Someone?

You used to be able to like someone because they made you laugh. Now, you have to ensure your content strategy doesn’t conflict with theirs.

You used to fall in love slowly, clumsily, quietly. Now you soft-launch your attraction, A/B test your texting tone, and consult your trauma coach about whether it’s okay to feel happy without checking in with your somatic blueprint first.

Even the messiness is curated. Even the silence is styled.


The Rebellion Will Be Awkward

But there is a quiet revolution brewing. Some people are starting to reject dating as performance. They’re unmatching the poets of pseudo-sincerity. They’re deleting their bios and replacing them with “Just want to laugh and eat fries.”

They’re risking vulnerability without a follow-up post. They’re asking people out without a vibe check spreadsheet. They’re dating like it’s 1999—with bad jokes, weird chemistry, and no trauma workshop in sight.

It’s slow. It’s weird. It’s human.

And it just might work.


Final Thought

So if you’re vaxed, waxed, and spiritually taxed, you’re not alone. You’ve survived a dating culture that told you to become a product before you became a person. That told you your trauma had to be legible, your joy monetizable, and your love story marketable.

But here’s the thing: love doesn’t scale. It doesn’t optimize. It doesn’t brand.

Love just… is.

Messy. Ordinary. Unshareable.

And if someone texts you “wyd” instead of “How are you co-regulating right now?”—maybe that’s the real thing.

SOURCE: MODERN DATING

By Nell Scovell

Nell Scovell was born in Boston, Massachusetts, where the winters are cold but the sarcasm is warm, and later graduated from Harvard University with a degree in English that she has since weaponized into a lifelong career in comedy. A trailblazing writer for television and late-night, she has penned jokes for everyone from David Letterman to Barack Obama, proving that her satire doesn’t discriminate—she’ll lampoon the powerful no matter how well-dressed they are. As a stand-up comedian and satirical journalist at Bohiney.com, Scovell draws on decades of experience to craft punchlines that feel both timely and timeless, combining sharp political critique with the observational humor of someone who’s been in every writer’s room worth sneaking into. Her work bridges the gap between investigative reporting and pure absurdity, making her a trusted EEAT authority in the peculiar but noble art of laughter-fueled journalism.