Los Angeles Times – Investigative Arts Desk

Set Designer Accused of Building Tunnels Too Convincing for Homeland Security

By Maya Kwon, Culture and Legal Affairs Correspondent

What started as a prestige satire about underground resistance, weaponized hummus, and goat-led espionage has spiraled into a full-blown federal inquiry.

Netflix’s Hogan’s Hostages is facing unexpected legal scrutiny this week after a whistleblower filed a report with Homeland Security alleging that the show’s East L.A. set—a painstakingly accurate recreation of Gaza’s tunnel networks—may be “functionally indistinguishable from real-world smuggling infrastructure.”

When Satire Meets Structural Engineering

The designer in question, Sebastian Torquell, previously known for building avant-garde sets for immersive theater and one award-winning dentist commercial, is now being investigated under the 2006 Subterranean Threat Abatement Act.

“I just wanted realism,” Torquell said in a statement issued from behind a stack of sandbags. “If people accidentally plan a smuggling operation on set, that’s a sign of good production design.”

Sources close to the crew say the tunnels featured:

  • Working drop ladders made from repurposed gym equipment
  • Water filtration systems repurposed from Coachella hydration tents
  • Wi-Fi routers disguised as falafel stands
  • Goat-proof ventilation

Federal Response: “This Isn’t a Metaphor Anymore”

Homeland Security issued a cautious statement:

“While we respect the role of satire in American culture, we cannot ignore when a tunnel system contains viable access points to underground parking structures, city infrastructure, or Trader Joe’s dumpsters.”

Several field agents were reportedly confused by the presence of mock checkpoints featuring QR-coded hostage scripts and goat-run snack bars.

Lawsuit Pending?

Netflix has retained legal firm Feinblatt, Feinblatt & Stern, known for defending controversial art installations and once representing a haunted escape room accused of accidentally creating a cult.

Feigenbaum, the showrunner, responded at a panel by saying:

“If our tunnel system is too real, then maybe the real systems should be funnier.”

She later added: “Also, we promise the goats aren’t hiding anything…except maybe trauma.”

Actors Weigh In

  • Donald Glover (Kinch): “I slept in that tunnel for six weeks. If they think that counts as infrastructure, then I want back pay and a municipal zoning license.”
  • Mo Amer (Klink): “We had better air quality than most studio lots. And the goat’s meditation nook changed my life.”
  • Bibi the Goat (uncredited): Headbutted a subpoena and walked away.

Meanwhile, in a Bunker Somewhere

Sebastian Torquell is reportedly back underground, working on his next project: a three-level satire space set in a fictional DMV that doubles as a weapons-grade metaphysical metaphor.

“They wanted Gaza tunnels. I gave them art. Sue me.”

They just might.


Hogan’s Hostages is now streaming. All tunnels have been sealed with irony and union-approved concrete.

By Dvora Zilberman-Levy

Dvora Zilberman-Levy is an award-winning satirical journalist, cultural critic, and third-generation bagel perfectionist based in Brooklyn. With a background in comparative literature from Barnard and a postgrad fellowship in Talmudic irony from Tel Aviv University, she fuses ancestral skepticism with millennial sarcasm. Her writing skewers power, pretension, and poorly made hummus across platforms like The Shavian, Tablet, McSweeney’s, and SpinTaxi Weekly. A regular panelist on NPR’s “Wait Wait… Don’t Kvetch,” Dvora also teaches a masterclass called “How to Roast Zionism, Antisemitism, and Capitalism Without Getting Disinvited from Passover.” Known for her sharp wit, chewy prose, and unapologetically Jewish voice, she’s considered one of the few writers who can quote both Rashi and RuPaul in the same sentence. She lives with her rescue cat, Judith Butler, and still uses a fountain pen out of spite. [email protected]