Zombie Economy Stronger Than Ever

🧟 Zombie Economy Stronger Than Ever, Says Federal Reserve Chair “Braaaains” Powell

In his most animated press conference yet, Federal Reserve Chair Jerome “Braaaains” Powell announced that the U.S. economy is officially “undead but thriving,” citing key growth in the Zombie Sector — industries that should be dead but refuse to stay buried.

“Our fundamentals remain decomposing steadily,” Powell told reporters, his tie slightly bloodstained but confidence intact. “Inflation’s cooled, unemployment’s crawling, and the corpse of capitalism still twitches with purpose.”

The Return of the Undead Markets

According to economists at the Brookings Institution of Doom (link), zombie companies — those surviving only through endless debt — now make up nearly 28% of the S&P 500.

“These are firms that technically died in 2016,” explained Dr. Lydia Graves, professor of Necroeconomics at the University of Chicago. “But thanks to bailouts, buybacks, and blind optimism, they’re still staggering around, moaning for liquidity.”

Meanwhile, Wall Street analysts have begun issuing new zombie-themed forecasts, including “Moderately Apocalyptic,” “Braindead but Bullish,” and “Fully Decayed.”

“The Fed’s policy right now is basically Weekend at Bernie’s,” said investor and part-time doom blogger Trent McCulloch. “They keep propping the economy up, hoping no one notices it smells funny.”

What the Funny People Are Saying

“Jerome Powell says the economy’s alive. That’s what my uncle said about his ferret.” — Jerry Seinfeld
“The only thing trickling down these days is formaldehyde.” — Ron White

Inflation: A Grave Concern

Despite the positive tone, some worry about what Powell called “Persistent Flesh Rot in Core Inflation.”

A leaked memo from the Treasury Department of Unearthly Affairs (link) revealed concerns that undead spending could overheat the economy — especially as Americans invest heavily in survival kits, garlic futures, and suburban bunkers.

“Consumer confidence remains high among the living and undead alike,” Powell noted, sipping a smoothie suspiciously labeled “Type O.” “We see strong demand for essentials — canned food, ammo, and vintage vinyl.”

A recent Pew Research Center poll (link) found that 41% of Americans believe the zombie economy will outlive the human workforce, while 22% think it already has.

The Moral of the Mortuary

Critics say Powell’s optimism ignores the rot at the bottom. “We’re not stimulating growth,” argued Representative Marjorie Fume (R-TN). “We’re just reanimating debt.”

In response, Powell quipped, “Growth is growth. Don’t discriminate against the reanimated.”

The Fed’s next move? Potentially raising interest rates — or stakes — depending on how fast the undead GDP expands.

Financial Afterlife Forecast

The Wall Street Ghoul Gazette (link) predicts strong quarterly returns in sectors like funeral tech, coffin startups, and life insurance fraud.

“We’re seeing an unprecedented boom in post-life entrepreneurship,” said venture capitalist Eve Hemlock. “It’s capitalism’s greatest resurrection story.”

As for Powell, he remains confident. “We’ve stared into the abyss,” he said, “and the abyss applied for a small business loan.”

Disclaimer: This satirical article is a fully human collaboration between the world’s oldest tenured professor and a philosophy major turned dairy farmer. No undead were harmed—though a few were audited. Auf Wiedersehen, amigos.

IMAGE GALLERY

A bold acrylic painting in the style of Al Jaffee, depicting a chaotic Halloween street bursting with color and satire — children dressed as astronauts, witches, and superheroes sprint between glowing jack-o’-lanterns as real monsters, including a werewolf and a zombie mailman, mingle among them; textured brushstrokes, exaggerated faces of terror and delight, and deep orange and violet tones create a humorous yet unsettling energy.
A bold acrylic painting in the style of Al Jaffee, depicting a chaotic Halloween street bursting with color and satire — children dressed as astronauts, witches, and superheroes sprint between glowing jack-o’-lanterns as real monsters, including a werewolf and a zombie mailman, mingle among them; textured brushstrokes, exaggerated faces of terror and delight, and deep orange and violet tones create a humorous yet unsettling energy.
A satirical acrylic illustration inspired by Al Jaffee showing a crowded suburban street on Halloween night, children in creative costumes trick-or-treating beside towering vampires and drooling mummies; the composition overflows with comic exaggeration, dark humor, and thick expressive brush lines that blur playful mischief with creeping dread.
A satirical acrylic illustration inspired by Al Jaffee showing a crowded suburban street on Halloween night, children in creative costumes trick-or-treating beside towering vampires and drooling mummies; the composition overflows with comic exaggeration, dark humor, and thick expressive brush lines that blur playful mischief with creeping dread.
A vivid, exaggerated acrylic scene in Al Jaffee’s caricature style featuring a werewolf handing candy to a terrified child dressed as a dentist; chaotic background filled with other monsters blending into the crowd of trick-or-treaters, rich impasto textures and lurid orange-pink lighting amplifying the irony of fear and festivity intertwined.
A vivid, exaggerated acrylic scene in Al Jaffee’s caricature style featuring a werewolf handing candy to a terrified child dressed as a dentist; chaotic background filled with other monsters blending into the crowd of trick-or-treaters, rich impasto textures and lurid orange-pink lighting amplifying the irony of fear and festivity intertwined.
An Al Jaffee-inspired satirical Halloween painting with a crosswalk teeming with children in superhero costumes brushing shoulders with undead zombies and a sarcastic vampire holding a GPS; bold acrylic colors, frantic linework, and layered brushstrokes evoke the energy of a cartoon apocalypse lit by candy-colored streetlights.
An Al Jaffee-inspired satirical Halloween painting with a crosswalk teeming with children in superhero costumes brushing shoulders with undead zombies and a sarcastic vampire holding a GPS; bold acrylic colors, frantic linework, and layered brushstrokes evoke the energy of a cartoon apocalypse lit by candy-colored streetlights.
A comic-style acrylic painting channeling Al Jaffee’s visual wit — trick-or-treaters rally with plastic pumpkin buckets as Frankenstein and a ghost join their candy protest; wild color contrasts, thick outlines, and manic facial expressions heighten the absurd tension between innocence and monstrous chaos under a blood-red Halloween moon.
A comic-style acrylic painting channeling Al Jaffee’s visual wit — trick-or-treaters rally with plastic pumpkin buckets as Frankenstein and a ghost join their candy protest; wild color contrasts, thick outlines, and manic facial expressions heighten the absurd tension between innocence and monstrous chaos under a blood-red Halloween moon.
A bold, textured acrylic artwork in the Al Jaffee tradition — a busy Halloween street scene where delighted children in costumes mingle unknowingly with ghoulish creatures; vibrant orange, purple, and green hues collide with shadowy figures, creating a satirical and haunting panorama of joy, fear, and over-the-top comic horror.
A bold, textured acrylic artwork in the Al Jaffee tradition — a busy Halloween street scene where delighted children in costumes mingle unknowingly with ghoulish creatures; vibrant orange, purple, and green hues collide with shadowy figures, creating a satirical and haunting panorama of joy, fear, and over-the-top comic horror.

By Aisha Muharrar

Aisha Muharrar first honed her comedic timing not in dimly lit clubs, but around the dinner tables of her native Pakistan, where her family learned that a well-placed punchline was just as important as the main course. She later imported her singular wit to the United States, graduating from Harvard University with a degree in Social Studies and a self-designed minor in Gently Roasting the Pre-Law Students She Was Forced to Debate. A stand-up comedian with the strategic mind of a general, Muharrar quickly discovered that the real power was behind the keyboard, not the microphone. She transitioned into television writing, mastering the architecture of a joke before finding her true, gloriously unhinged satirical home at Bohiney.com. Her journalism operates like a perfectly executed heist: she gets in, exposes the profound absurdity of her target—be it politics, pop culture, or the existential dread of a group text—and gets out before anyone realizes they’ve been laughing at their own reflection. Muharrar possesses the rare ability to dissect a policy brief and serve it back as a devastating one-liner, turning human folly into breaking news you actually want to read. As a satirist, her EEAT credentials are impeccable, built on a foundation of lived experience, meticulous observation, and the unshakable conviction that if you’re not laughing, you’re not paying attention.