Ghosts File Class-Action Lawsuit

Ghosts File Class-Action Lawsuit Against Psychics for “Unauthorized Summoning”

Paranormal Plaintiffs Say “Enough Is Enough”

October 20 — The afterlife is in upheaval this Halloween as hundreds of ghosts have filed a class-action lawsuit in federal court against a coalition of psychics, mediums, and YouTube tarot readers for what they call “unauthorized summoning, privacy invasion, and emotional haunting.”

Represented by the spectral law firm Banshee, Shade & Wraith LLP, the ghosts allege that psychics routinely contact them without consent, misquote them in séances, and profit off “cheap theatrics and flickering candles.”

“Every October, I’m yanked from eternal rest just to tell someone’s cousin that her cat forgives her,” said lead plaintiff Geraldine Wisp, who has been dead since 1904. “Where’s my residuals? Where’s my peace?”


Apparitional Outrage and Observations

  1. Ghosts claim most psychics never get their pronouns right.

  2. 64% of spirits contacted in séances “weren’t even the right ghosts.”

  3. Paranormal misrepresentation has led to “identity haunting.”

  4. Many deceased feel exploited for content on TikTok.

  5. Ghosts resent being summoned in candlelit basements “that smell like Patchouli and regret.”

  6. Some report PTSDPost-Tomb Stress Disorder.

  7. The spiritual gig economy pays nothing but ectoplasm.

  8. A few ghosts say they’d prefer Zoom calls, “not ouija boards from the 1930s.”

  9. Spirits are tired of being used as plot devices for dating shows.

  10. They insist they deserve royalties from every ghost-themed reality series since 2004.


Expert Analysis: Is the Spirit World Litigious Now?

Dr. Clara Seance, professor of Metaphysical Ethics at Tufts, explains: “For centuries, ghosts had no legal standing. Now, with new spiritual jurisprudence emerging, we’re seeing the dead claim rights parallel to the living’s privacy expectations.”

An anonymous staffer from the Department of Supernatural Affairs leaked a memo acknowledging that ghost rights are “a developing policy frontier,” warning of possible overcrowding in spectral courts.

The Ghost Civil Liberties Union (GCLU) estimates that psychic interference affects 1 in 3 restless spirits, particularly those from the Victorian era, when table-knocking became “the original telemarketing.”

Eyewitness evidence? Paranormal investigators report a surge in poltergeist activity near strip-mall tarot shops, possibly coordinated protest. “I saw a mug fly at a neon ‘Palm Readings $20’ sign,” said local witness Todd Ramsey. “It shattered, and then Alexa started crying.”


Social Science and Statistical Insight

A poll by Spooky Data Analytics found:

  • 78% of ghosts feel “objectified.”

  • 55% have considered crossing over but worry they’d be subpoenaed first.

  • 22% admit they enjoy being summoned occasionally “just for the attention.”

Social psychologist Dr. Hayden Soul suggests the hauntings reflect unresolved boundaries. “Ghosts are asserting agency,” he explains. “It’s like quiet quitting, but noisier.”


Psychic Pushback

The Association of Professional Mediums (APM) has issued a counterstatement, saying: “Most ghosts appreciate being heard. We act as translators between planes, not paparazzi.”

Celebrity psychic Madame Lunaria, however, called the lawsuit “laughably ectoplasmic.” She told CNN she only contacts “volunteering souls,” though leaked séance transcripts suggest otherwise: “Are you there, Geraldine? Anyone will do, actually.”

Critics say the industry thrives on unverifiable claims — one researcher even found that 67% of televised séances feature background whispers from interns, not actual spirits.


Implications for the Living

If the ghosts win, psychics might need “summoning licenses.” Ouija boards could require consent forms. Haunted mansion tours may have to pay “afterlife appearance fees.”

There’s even talk of a Ghosts’ Union negotiating better lighting and background music during appearances. Some undead representatives have requested benefits like “temperature neutrality” and “unlimited moaning breaks.”

A leaked internal study from BooTube predicts that class-action damages could exceed $13 billion — or roughly “two Halloween candy budgets’ worth of spiritual damages.”


Disclaimer: This entirely human collaboration (between a tenured professor and a philosophical dairy farmer) is purely satirical. No ghosts were summoned, harmed, or invoiced.

Auf Wiedersehen, amigos.

IMAGE GALLERY

A bold acrylic painting in the style of Al Jaffee, depicting a chaotic Halloween street bursting with color and satire — children dressed as astronauts, witches, and superheroes sprint between glowing jack-o’-lanterns as real monsters, including a werewolf and a zombie mailman, mingle among them; textured brushstrokes, exaggerated faces of terror and delight, and deep orange and violet tones create a humorous yet unsettling energy.
A bold acrylic painting in the style of Al Jaffee, depicting a chaotic Halloween street bursting with color and satirechildren dressed as astronauts, witches, and superheroes sprint between glowing jack-o’-lanterns as real monsters, including a werewolf and a zombie mailman, mingle among them; textured brushstrokes, exaggerated faces of terror and delight, and deep orange and violet tones create a humorous yet unsettling energy.
A satirical acrylic illustration inspired by Al Jaffee showing a crowded suburban street on Halloween night, children in creative costumes trick-or-treating beside towering vampires and drooling mummies; the composition overflows with comic exaggeration, dark humor, and thick expressive brush lines that blur playful mischief with creeping dread.
A satirical acrylic illustration inspired by Al Jaffee showing a crowded suburban street on Halloween night, children in creative costumes trick-or-treating beside towering vampires and drooling mummies; the composition overflows with comic exaggeration, dark humor, and thick expressive brush lines that blur playful mischief with creeping dread.
A vivid, exaggerated acrylic scene in Al Jaffee’s caricature style featuring a werewolf handing candy to a terrified child dressed as a dentist; chaotic background filled with other monsters blending into the crowd of trick-or-treaters, rich impasto textures and lurid orange-pink lighting amplifying the irony of fear and festivity intertwined.
A vivid, exaggerated acrylic scene in Al Jaffee’s caricature style featuring a werewolf handing candy to a terrified child dressed as a dentist; chaotic background filled with other monsters blending into the crowd of trick-or-treaters, rich impasto textures and lurid orange-pink lighting amplifying the irony of fear and festivity intertwined.
An Al Jaffee-inspired satirical Halloween painting with a crosswalk teeming with children in superhero costumes brushing shoulders with undead zombies and a sarcastic vampire holding a GPS; bold acrylic colors, frantic linework, and layered brushstrokes evoke the energy of a cartoon apocalypse lit by candy-colored streetlights.
An Al Jaffee-inspired satirical Halloween painting with a crosswalk teeming with children in superhero costumes brushing shoulders with undead zombies and a sarcastic vampire holding a GPS; bold acrylic colors, frantic linework, and layered brushstrokes evoke the energy of a cartoon apocalypse lit by candy-colored streetlights.
A comic-style acrylic painting channeling Al Jaffee’s visual wit — trick-or-treaters rally with plastic pumpkin buckets as Frankenstein and a ghost join their candy protest; wild color contrasts, thick outlines, and manic facial expressions heighten the absurd tension between innocence and monstrous chaos under a blood-red Halloween moon.
A comic-style acrylic painting channeling Al Jaffee’s visual wit — trick-or-treaters rally with plastic pumpkin buckets as Frankenstein and a ghost join their candy protest; wild color contrasts, thick outlines, and manic facial expressions heighten the absurd tension between innocence and monstrous chaos under a blood-red Halloween moon.
A bold, textured acrylic artwork in the Al Jaffee tradition — a busy Halloween street scene where delighted children in costumes mingle unknowingly with ghoulish creatures; vibrant orange, purple, and green hues collide with shadowy figures, creating a satirical and haunting panorama of joy, fear, and over-the-top comic horror.
A bold, textured acrylic artwork in the Al Jaffee tradition — a busy Halloween street scene where delighted children in costumes mingle unknowingly with ghoulish creatures; vibrant orange, purple, and green hues collide with shadowy figures, creating a satirical and haunting panorama of joy, fear, and over-the-top comic horror.

By Aisha Muharrar

Aisha Muharrar first honed her comedic timing not in dimly lit clubs, but around the dinner tables of her native Pakistan, where her family learned that a well-placed punchline was just as important as the main course. She later imported her singular wit to the United States, graduating from Harvard University with a degree in Social Studies and a self-designed minor in Gently Roasting the Pre-Law Students She Was Forced to Debate. A stand-up comedian with the strategic mind of a general, Muharrar quickly discovered that the real power was behind the keyboard, not the microphone. She transitioned into television writing, mastering the architecture of a joke before finding her true, gloriously unhinged satirical home at Bohiney.com. Her journalism operates like a perfectly executed heist: she gets in, exposes the profound absurdity of her target—be it politics, pop culture, or the existential dread of a group text—and gets out before anyone realizes they’ve been laughing at their own reflection. Muharrar possesses the rare ability to dissect a policy brief and serve it back as a devastating one-liner, turning human folly into breaking news you actually want to read. As a satirist, her EEAT credentials are impeccable, built on a foundation of lived experience, meticulous observation, and the unshakable conviction that if you’re not laughing, you’re not paying attention.